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Current Issue

Nº 283
The Power of Design
May/Jun 2019

In our current main focus “The Power of Design” we trace the concept of power throughout design. Power doesn’t always have an effect where and as we expect it to. After all, it isn’t only the powerful who wield power, it can also be used against them. When power is placed openly in someone’s hand, it often remains ineffective. On the other hand, designers can use it to influence users without them even realising it. Power is concealed not least in photography, which at one time was supposed to merely mirror reality.

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18.09.2019
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Aws4 request&x amz signedheaders=host&x amz signature=d1f051cf65649ebe37c29aac50a97d54936b40a70c88f90fefc00391821ec89d

Current Issue

Nº 283
The Power of Design
May/Jun 2019

In our current main focus “The Power of Design” we trace the concept of power throughout design. Power doesn’t always have an effect where and as we expect it to. After all, it isn’t only the powerful who wield power, it can also be used against them. When power is placed openly in someone’s hand, it often remains ineffective. On the other hand, designers can use it to influence users without them even realising it. Power is concealed not least in photography, which at one time was supposed to merely mirror reality.

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Editorial:

The Power of Design

Text: Stephan Ott

Translation: Emily J. McGuffin

“We must learn more”, states Hartmut Esslinger in the interview we conducted with him on the occasion of frog design’s 50th anniversary. That seems like an innocent enough sentence, one likely to whoosh inconsequentially past those who are focused solely on the generation of interest on social media.

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Posters in Motion

Text: Kim Kaborda

Translation: Emily J. McGuffin

Posters, a medium which had previously been conceived largely in static terms, are now being designed with movement in mind, above all in the university landscape and in the cultural sector. 

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Focus:

#instagrammable

Text: Julia Mederus

Translation: Iain Reynolds

Objects are not inherently photogenic; instead they are rendered attractive via the process of being photographed. Thanks to Instagram, this process has become an everyday ritual and is changing the way we look at things, what we buy, and what we eat.

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Files:

Pose

Text: Anton Rahlwes

Translation: Emily J. McGuffin

In the shadow of a supposedly intact world of white New Yorkers, a queer community emerges that, even if it wanted to, does not fit into the bigoted picture.

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2017 marked the 60th anniversary of form, a milestone that has prompted us to stop and take stock. In particular, we were revisiting a specific article, reader’s letter, image, cover, etc. from each of the magazine’s six decades to date.

Revisit historical starting points

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All the issues of form published between 1957 and 2011 can be accessed in the archive free of charge. 

Visit the form archive

Founded in 1957 as an international journal, form soon became a well-known fixture of design journalism, and with its 280 editions so far has written a piece of design history.

The history of form

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